Matchroom Boxing: Usyk vs rico
Client: Matchroom Boxing
Role: Camera Operator Fight week in Egypt ran across five full days on location, covering press conferences, weigh-ins, and media events as part of a small crew. Daily interviews with fighters were turned around same-day to keep a steady stream of content going out throughout the week.
The pace was tight from start to finish, with little room between shoots and deliveries. Fight night operations included contributing as a part of a three-camera setup working across multiple points of coverage simultaneously.
Fighter arrivals, backstage workouts, and warm-ups were all turned around before the fights began, with ringside coverage carrying through the most important fights of the evening.
MVP: JAKE PAUL VS ANTHONY JOSHUA
Client: PM Films for Most Valuable Promotions
Role: Camera Operator & Editor
The Jake Paul vs Anthony Joshua series ran as a daily long-form content operation, producing episodes and mini-documentaries throughout fight week for Most Valuable Promotions, with deliverables going out through YouTube. Multiple fighters across the card received behind-the-scenes access coverage, requiring the camera to be in the right place across a constantly moving schedule.
The production involved multiple camera operators on the ground and remote editors working in parallel, with the on-ground role covering both shooting and fast-turnaround editing when last-minute requests came in. Working within that wider team meant staying across what each piece needed and what was still outstanding.
The result was a consistent daily output running up to one of the most commercially significant boxing events of the year.
Khalil Rountree: Fight Camp COverage
Client: Khalil Rountree
Role: Camera Operator & Editor
Following a career-defining fight against Alex Pereira, the focus was on building something with longer-term value than a single fight week cycle — consistent fight camp content that gave fans a genuine look at Khalil Rountree beyond the media appearances.
Sponsor deliverables were woven into the content throughout, integrated naturally into the fight camp footage rather than dropped in as separate assets. The approach kept the content feeling authentic while ensuring commercial obligations were covered.
The through-line across all of it was narrative control — giving Khalil the platform to shape how the public sees him, on his own terms, rather than leaving that to outside media. After a fight that changed the trajectory of his career, the content kept him visible, relevant, and in front of his fanbase during the months that mattered most.
Leon Edwards: Fight Camp COverage
Client: Leon Edwards
Role: Camera Operator & Editor
Heading into a headline fight at the O2 Arena in London, the challenge was straightforward: how do you build consistent content for an athlete who has little interest in traditional media work? The answer was to shift the camera onto the coaches and people inside his training camp, letting them carry the narration while he focused on preparing for the fight.
The role covered everything from ideation through to posting — daily videos during fight week, long-form YouTube content, and photography running consistently throughout camp. Clips were picked up and reposted across Twitter and social media, giving Leon a media presence without requiring him to sit down for external interview circuits.
The result was a content operation that kept him visible and in control of his own story heading into the fight, rather than leaving it to outside outlets. The narrative going into that fight was to be shaped by someone — the focus was making sure it was shaped by him.
Desirèe Henry: Short Documentary
Client: Invaincu LTD for Desirèe Henry
Role: Camera Operator & Editor
Desiree Henry is a two-time Olympic medalist heading into what she has committed to as her final competitive cycle, ending at the 2028 LA Olympics. The project followed her through her 2026 training camps, documenting the day-to-day reality of a late-career preparation alongside the weight of that decision.
Her choice to retire is the spine of the series, but the approach was never to editorialize around it — the intention was to give her the space to tell her own story rather than have it shaped by people with no stake in it. There is a practical dimension running alongside the documentary one, with the project built to open doors to new sponsorships and lay groundwork for life after competing.
The story was already there before any camera was involved. The job was to film it properly and get it in front of the right people.
MANDATORY HYDRATION: The Unseen Work
Client: PM Films for Most Valuable Promotions
Role: Camera Operator & Editor
Mandatory launched their YouTube channel with a film built around a deliberate creative decision: follow a boxer still in the early, unglamorous stretch of his career rather than reaching for a recognisable name. The concept was developed from scratch, shaped around a full day-in-the-life structure that let Alex MacMillan's training and routine speak for itself.
Early mornings, gym sessions, and the day-to-day sacrifices that rarely make it onto anyone's feed — that's what the camera followed. The brand appeared consistently throughout, but through product placement rather than direct promotion, keeping the tone honest and the film watchable on its own terms.
The concept, camera work, and edit were all handled end to end — from the initial idea through to final delivery — giving Mandatory a launch piece that felt like a real film rather than an ad.
Georgia: Shaping the future of mma
Client: International Mixed Martial Arts
Role: Camera Operator & Editor
A 48-hour shoot in Georgia, made with a single camera, built around one idea: capture what MMA looks like at ground level in a country producing world-class fighters. Georgia has become impossible to ignore in the sport — Merab Dvalishvili, Ilia Topuria — and behind those names sits a generation of young fighters training with the same ambitions.
Working across a language barrier and alongside local teams, the job was to earn access to those fighters and tell their story honestly. The result was a short mini-documentary following the hopes and motivations of up-and-coming Georgian MMA athletes with dreams of going professional.
The film was produced to promote the IMMAF World Championships, hosted in Georgia a few months later, giving the documentary a clear purpose beyond the story itself. Everything — the shoot, the edit, the delivery — was turned around within that 48-hour window.